Brisingr review á 100

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Brisingr review á 100 å Oaths sworn loyalties tested forces collideIt's been only months since Eragon first uttered brisingr an ancient language term for fire Since then he's not only learned to create magic with words — he's been challenged to his very core Following the colossal battle against the Empires warriors on the Burning Plains Eragon and his dragStrength as are the elves and dwarves When unrest claims the rebels and danger strikes from every corner Eragon must make choices choices that will take him across the Empire and beyond choices that may lead to unimagined sacrificeEragon is the greatest hope to rid the land of tyranny Can this once simple farm boy unite the rebel forces and defeat the king. If you want a story with awesome dragons and magic this is a series to check out I listened to this on audio and it was SO engaging This book had a lot of action seuences as well as many moments that were packed with emotion What a great blend Uhnnn I just love it

Christopher Paolini Ä 0 review

Aped with their lives Still there is adventure at hand for the Rider and his dragon as Eragon finds himself bound by a tangle of promises he may not be able to keepFirst is Eragon's oath to his cousin Roran to help rescue Roran's beloved from King Galbatorix's clutches But Eragon owes his loyalty to others too The Varden are in desperate need of his talents and. An extremely long winded full review by me for this book is on my site hereEveryone's been asking me to review the third book in this series so here I go In case you didn't notice it took me over a thousand days to force myself to tackle it but I decided my Labor Day weekend needed to be ruined by something My review is pretty much a ramble about everything I disliked about this book but I'll try to keep it relatively short The author still has basic storytelling problems The main one I keep noticing is that he is trying to work description or exposition into the action but it still reads like he's stopping the movie ZOOMING IN ON EVERYTHING and then pushing PLAY again when he's done We nearly always get an extremely detailed description of every weapon every person every room and every setting the characters encounter and the adjectives used aren't connected to actions or attitudes Or if it's exposition maybe we'll have someone cast a spell and then the action pauses while we endure two paragraphs of narration about other caveats to the spell that could have been applied but aren't useful here and what might happen if it fails and all kinds of trivia about other magics that are like this one none of which end up being important in the scene He's still failing to filter these observations through the minds of his characters which dooms the narrative voice because it takes us OUT of the moment every single time He has also made some poor choices with apparently unintentionally sexist phrases and disturbing attitudes toward women most notably by telling that Arya is brave and independent and capable but showing that she is not any of these things because she needs to be rescued AGAIN There were so many other people Eragon could have had to rescue from imminent death and yet again Paolini chose Arya as the damsel in distress She holds her own and later saves his ass once too but framing women like this suggests that the strong ones are the exception to the rule And sometimes Roran talks like a rapist It's really uncomfortable Katrina My you are bold dear sir Most bold indeed I'm not sure I should be alone with you for fear you might take liberties with meRoranLiberties eh Well since you already consider me a scoundrel I might as well enjoy some of these libertiesKatrinaYou're a hard man to argue with Roran Stronghammer So take note dudes If a girl says she's worried being alone with you might lead to you pressuring her you might as well actually do it since she thinks that way about you anyway Such couettish banter this Add to that the fact that Saphira's narration is really obnoxious and recoil in horror at some of the untidy retcons Paolini tried to force into the story and you have a very good reason to believe this fellow has not learned from experience Bad Narration Stylistically narration is pretty terrible in this book The similes and metaphors are especially galling and I noticed that a disturbing number of his comparisons involved geological themes I mean everything was hard as diamonds or heavy as lead or bright as gold No one can just be distinguished; she's the most distinguished like an emerald resting on a bed of brown autumn leaves Someone should tell Paolini we don't need everything compared to something else in order to understand it Even a monster's blood which happens to be blue green is described as not unlike the verdigris that forms on aged copper Coming across Her tears appeared like rivers of silvered glass just made me groan And how about Red as a ruby dipped in blood red as iron hot to forge red as a burning ember of hate and anger So was it red As red as HATE and stuff Don't forget to dip red things in other red things so you can go off on how red they are And let's not forget A flock of starlings darted across the afternoon sky like fish through the ocean 'Cause a group of animals moved through their habitat like another group of animals moving through their habitat really helps us see it better And the biggest problem with it is it's not just distracting and unnecessary; sometimes they place an alternate image in your mind and draw your attention AWAY from the object or situation he is describing The unnecessary description is especially pronounced when it comes to describing weapons Paolini devotes an inordinate amount of time to his descriptions of swords and other tools One of the shorter descriptions was as follows A bizarre implement a single edged weapon two and a half feet long with a full tang scale grips a vestigial crossguard and a broad flat blade that widened and was scalloped near the end a shape reminiscent of a dragon wing I found one sword description for a sword the protagonist only used for a couple chapters at a mind blowing two hundred words and don't even get me started on the chapter where Eragon actually makes a sword that matters Twelve pages of excruciating detail explain how exactly he made the sword and it reads like an instruction manual Because Paolini freely admits he was fascinated with a certain Japanese swordmaking book at the time Gee you can't tell It's like if you just wanted to watch a crime thriller and twenty minutes of the footage involved an autopsy detailing exactly how the victim died Some of the descriptions actually truly do not make sense such as the description of Arya's voice as Her low rich voice contained hints of rustling pine needles and gurgling brooks and music played on reed pipes Can you imagine that Someone's VOICE having all those things in it Considering the gurgling I think Arya may need a doctor And let's not forget our old friend the unnecessary speech tags

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BrisingrOaths sworn loyalties tested forces collideIt's been only months since Eragon first uttered brisingr an ancient language term for fire Since then he's not only learned to create magic with words he's been challenged to his very core Following the colossal battle against the Empires warriors on the Burning Plains Eragon and his dragon Saphira have narrowly esc. Absolutely brilliant There's something special about a series that you can read time and time again and always come away with a new interpretation and sense of wonderOne thing that hasn't changed despite how many times I've read this series is my complete and utter love for the world of AlegaesiaWe follow Eragon once a simple farm boy now a Dragon Rider and Alegaesia's only hope for freedom as he fights for his country and against the evil emperor GalbatorixThrough Eragon's detour into Farthen Dur we learn how deep his morals run and his true character I appreciate how Paolini is able to keep Eragon human and deeply flawed despite his almost infinite powers The monsters of the mind are far worse than those that actually exist Through Sapphira's scenes we finally know what it is like to be a dragon Complete with magic mystery and awe inspiring moments Die puny human Through the Trial of Long Knives we learn the strength and tenacity of Nasuada leader of the Varden She became an absolute pinnacle of grace poise and ruthlessness in one short sceneAnd through the election of the next Dwarven king we truly learn how deeply convoluted and boring Dwarf politics can be I'm not saying it wasn't important but good lord that was a long sceneOverall I liked this one okay okay I realllllly liked this oneChristopher Paolini does such an amazing job fleshing out the world of Alegaesia I wholly regret that this world is one of fiction I loved the return of Angela and her werecat every scene the two of them were in just absolutely shone I adored how much Roran has grown and changed over the past few books Katrina has stepped up to the plate and has so much personality now it's wonderfulThe only thing that I wish would be differed would be the romance I really wanted to see the romance between Eragon and Arya develop a bit I feel like there is so much potential but we only see a small sliver of that Absolutely cannot wait for the next bookAudiobook Comments Read by Gerard Doyle and I love the consistency of the narration These books are all over 20 hours so I really commend the narrator Also love the accent that Murtagh Eragon's brother has BUT the dragon accents are just miserable Picture Yoda with a head cold gargling nails YouTube | Blog | Instagram | Twitter | Snapchat mirandareads Happy Reading